A scan of a sketchbook of drawings that were made concurrently to an ongoing discussion in the RNA Connective about the nature of technology and its effect on human culture.
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By Marc, 28 February 2011
Video Game Epiphanies is a catalogue of formative virtual experiences. Open publication – Free publishing – More zine By Marc, 6 October 2009
Zak Meadow is a comic strip that ran in Room Magazine (an alternative arts monthly based in Windsor, Ontario) from 1997 to 2001. These photocopied zines were originally published between 1998 and 2000. By Marc, 19 March 2009
SROPSU – Self Replicating Oceanic Plastic Salvage Unit Here is a pataphysical approach to the Great Pacific Garbage Patch. SROPSU is a self replicating sea borne plastic dissembly/replication unit. The abundant scrap plastic floating in the world’s oceans is taken into its maw with a conveyor belt. The plastic is molecularly recombined to self replicate RepRap in the fabricator end of the unit. When there are enough RepRaps to tackle the patch, they switch production modes and start creating useful things like furniture, housewares and footwear that wash ashore in tidy bundles to be collected by school children. By Magda, 11 March 2009
The Italians came and built a wood burning stove. The mozzarella is locally made, the olives are imported. I don’t know who originally brought the arugula seeds. Most of the ingredients are organic. The pizza cost CAN$3 and was pretty good (ie. excellent by most people’s standards which are not as stratospheric as mine). This message is a test of http://www.posterous.com. By Marc, 1 February 2009
This image of a mushroom enabled garbage composter was inspired by a video podcast of Paul Stamets talking about his extensive research into the bioremediation capabilities of mycelium networks (aka mushrooms). Here is link to a transcript of another great interview with Stamets about the remarkable nature of mushrooms. By Marc, 12 January 2009
In the fall of 2005, Magda and I decided to sell off most of our possessions and embark on an extended period of travel. The reasons for this were many. Magda had a distinct feeling of being stuck. We had figured out a way to coast through our life as freelance graphic designers/artists. We had developed a well-worn, carefully cultivated, comfortable rut of routine in Toronto. Our combination of skills and our solid network of business contacts and friends assured that we would be able to maintain a subsistence level artist existence in the city, although that year we were getting a bit more in debt every month. Although our apartment and such was comfortable, there was very little social wiggle |
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